Gay Cruising By Sofitel, Heathrow

LONDON March 12, 2011 IN DEFENSE OF THE CONSTITUTION
FREE PRESS IN FREE STATE AND ITALY
'one and indivisible
E' A REPUBLIC Antifascism
RIGHTS FOR ALL PRIVILEGES TO ANYONE
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http://www.youtube. com / user / deafening)

Morphine Level Hospice

The end .... Kunstindustrie Goobye (definitiva!)

Dear readers (those few good players ... but ...) the game is great when short-lived. Well, the adventure game from two years ago has reached its limit. We gave the can, indeed, what we have (it) at heart. We have left many open wounds ... begun discussions that will never be a final word ... other things, for better or worse, were closed. Not that art, literature, cinema, etc. .. there is no longer of interest. But other commitments deprive us of what little time was devoted to this little corner of the shed (staff). We leave with the hope of returning, to find yourself in un'abbraccio largest, to face the world together. So this is not a goodbye (yeah, yeah I know, a little 'melodramatic / tragicommico) but a hasta Lueger. But do not leave you alone ....
we strongly suggest you Follow DaSeyn (Day to be) interesting blog in the world of culture and art.

Enjoy!

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ACQUARIUS StoryTeller EIGHTEENTH TOUR STOP: THE BODY OF THE BODIES OF WOMEN AND OTHERS, DIGNITY 'dialectical contradictions AND THE EVENT IF NOT NOW WHEN February 13, 2011

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ACQUARIUS StoryTeller SEVENTEENTH TOUR STOP: THE LANGUAGE THE SENSES:


EROS (poetry SERENA D'Arbel)

Flight driving
payment soul
result of gold or alchemy?
It 's simple
vital program?
E 'chemistry, biology or poetry
feeling
minute or eternity? Two bodies joined

looks forwards
tender winners
magic flow of atoms

feelings thoughts
Since when?

The measure is self-contained

useless because of the mutual joy of love


Splendido is to live it.
(SERENA D'Arbel)

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Sura al-Fatiha

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Dante + + Courbet and Duchamp

Halfway through the journey of our life I found myself
in a dark wood,
For the straight way was lost.

Ah, how to tell what a thing it is hard
this forest savage, rough and steep
that the very thought renews the fear!

So bitter that death is little more;
but for the good that 'there, I
say of the other things I' v 'I stocks.

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Christian Schad schadografie

siafferma when Serner This position, distancing himself from the group riunitoattorno at the Cabaret Voltaire, These Hugo Ball and Richard Huelsenbeckcome two rebel youth and judges them harshly on propriarivista, for their " Blasphème impardonnable contrel'intelligence " ¹ , accusing them of "if Livreri à de pures singeries, au lieu deproposer a veritable alternative à ce qu'ils veulent détruire " 2.

Schad, close to its positions and Serner antinichiliste, sitiene relatively aloof from the activities Dadaist, nonapprezzando "studied the attitudes and noise" ³ , even though his invention of photography without a camera will be claimed as dasubito Dadaist practice.

The "discovery" of schadografia

From 1916 Schad sistabilisce in Geneva: "We were a small minority costituivaper the two warring parties a group of outsiders and diguastafeste. We actively participate in the Dada movement soprattuttodipingendo, doing surveys, wood and Schadografie , termineconiato by Tristan Tzara " 4.

The dispute which saw treartisti-Christian Schad, Man Ray and Laszlo Moholy-Nagy-compete for the "discovery" of the photograph without photographic camera, you èconclusa today in favor of Christian Schad ⁵ . These, perhaps influenced by Serner, built in 1918, or piùprobabilmente in 1919, in his studio in Geneva, primiesperimenti of this type. Superimposing, on sheets of cartafotosensibile, pieces of paper or fabric items " trouvés ," and exposing them to a light source or veiled diafframata ⁶ , gets very specific image: the effect is immaterial dicollage 7. " Serner salue dancces abstraites images, la fin de la technique dans l'art as well " ⁸ .

" The in procedimentoconsiste take photographs without a camera. Sidispongono object on a sensitive surface (plate or paper) and they are exposed to a source of light. In a nutshell this is ilprocedimento, but its applications are many. It trattasoltanto to choose items and place them in a way that nerisulti a statement. The taste is decisive. Even here in puòcadere vulgarity. In my opinion you should use sologli objects which retain a magical quality. And this is also true simple " ⁹ .

Inrealtà the technique of so-called frame, was not "invented" by Schad, but known by different titles, Erastus practiced after the debut of photography on paper, photography daipionieri Thomas Wedgwood, at the very beginning delXIX century, and William Henry Fox Talbot, who had called photogenic drawing . Throughout the nineteenth century the picture without an inner, called photocalque , photo directe , naturselbstduck , was used especially for scientific or recreational ¹⁰ . The true invention Christian Schad nell'irruzione this front lies in the art technique.
Comeil montage entering forcefully into the language deldadaismo Berlin with the intention of making satirapolitica and with a view to reject the "value" aesthetic, has revolutionized the relationship between word and image and between words and reality ¹¹ ; components of the operation of the photo without camera vannorintracciate basically in two research esteticadel last century: in Cubist collage and the importance that photography and cinema assumononel constructivism. The new expressions, eCinema consists of photographs, should be viewed from entirely new relationship established between the Russian constructivism and art technique leading to a trasferimentodi interest from the field of visual art that dellafotografia. Moholy-Nagy's photography and nelcinema to finding the best opportunity to produce the forms "nuoverelazioni hitherto unknown" ¹² .
The schadografia , or frame, is seen as the extreme sviluppodelle potential of Cubist collage.

1 W. SERNER, 1916 in Dada, exhibition catalog, Paris, Centre Georges Pompidou, 2005. p. 102

2 Ibid

3 C. SCHAD

4 C. SCHAD

5 Q. Bajac in Dada, exhibition catalog, Paris, Centre Georges Pompidou, 2005. p. 866

6 G. LIST, (ed.), Dada, the art of denial , exhibition catalog edited by Giovanni Lista, Rome, Palazzo Exhibition, 1994. p.362

7 TO HOCKENSMITH in Dada, exhibition catalog, Paris, Centre Georges Pompidou, 2005. p. 864

8 Ibid

9 C. SCHAD, (description of the method of Schadografie from a letter to Helmut Gernsheim, August 1960); in Christian Schad, exhibition catalog edited by Bettina Schad, Milan, Galleria Schwarz, 1970. p. 22

10 Q. Bajac in Dada, exhibition catalog, Paris, Centre Georges Pompidou, 2005. p. 866

11 J. NIGRO Covre The German art in the twentieth century, Carocci 1998. pp. 104-106

12 L. Moholy-Nagy, in J. NIGRO Covre The German art in the twentieth century, Carocci, 1998, p. 107

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The Adventures of Sir Edwin Fuzz XV (image only)

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The Adventures of Sir Edwin Fuzz XIV (Inglese)

The raid ! Infuriated "Beatniks" attempt to storm the exit while hard-battling plainclothesmen drub them into submission.

Thinking of "The Man," Sir Edwin dashed upstairs and burst upon a couple in an already half-drugged state and apparently preparing a sinful act.

The spectacle in the next room was far more pathetic for there a degraded couple were in the act of leading an innocent woman to her doom. Sir Edwin's ire knew no bounds… The woman went to her knees in gratitude.

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Christian Schad and schadografie

Schad - Dada

Not sipuò Dada capire senza capire tension e spirituale nella qualenacque crebbe.

" The artde the time of the Treaty of Versailles ilustre ell'apparence chaos of madness, it does not follow the will of one little groupe, il est le produit d'une société en plein désarroioù et des forces hostiles irréconciliables s'affrontent " ¹ .

Dada and 'advanced' historical contradictions dellapropria toughest times, "not content to bypass the problem edimenticare contradictions by accepting uninquadramento systematically guaranteed by tradition, but fecerodella substance revocation of their own starting point " ² . Constant Bit reference on which to conduct its análisis values \u200b\u200bof bourgeois culture: the ideals of ragionepositivistica of progress and modernism that portanoall'alienazione, all'inautenticità, and war.

ChristianSchad soon learn to "despise the Academy" ³ , the art of the bourgeoisie, and chooses, like many other young artistiuniti hatred toward a social order which the war stessaha witnessed the failure, the rejection and contempt for things lost in quotas. Choose the flight into neutral territory.

" Durantel'estate 1915, I left by train to Monaco raggiungereZurigo, from cataclysm black-white-red oasis Dipace. I would not have been slow to finish, like millions of others, lungodisteso in a uniform, hot mud, or even, perhaps, under a cross birch. I had gone from gear dellaguerra the Bahnhofstrasse in Zurich. The change was enormous. Dauna part, beyond the frontier that had just passed, all willy-nilly, were caught in a huge gear edibrido who urged them to dig, kill, starve the other, here, we lived happily. Thought and poetry, grandevanto the Germans, had turned in under the disciplinaprussiana motto, 'God, Emperor and Fatherland'. The ufficialerappresentava the ideal of bourgeois values \u200b\u200bwhich the war was most every confirmation. The life force was replaced dallasottomissione, the best quality were deformed. [...] Trovostupido that a man agrees to do the puppet and another to hate and kill possacomandargli " ⁴ .

AZurigo, Schad comes into contact with members of Dada in piccolasala Cabaret Voltaire, Hugo Ball and Emmy opened by Hennings, Hans Richter and Richard Huelsenbeck itedeschi, Romanians Tristan Tzara, Janco eMarcel Alsace Hans Arp had organized delleserate cabaret soon degenerated into provocations sistematichecontro the bourgeois order.

Tuttaviastabilisce a stronger relationship with the writer Walter Sernered just throw together, back in 1915, the magazine Sirius of cuiSchad regularly introduced each number with drawings and engravings sulegno. On the philosophical level, the magazine Sirius objected Adada. In fact, the point of view Serner, expressed chiaramentein this publication, is deeply pessimistic but ancherelativamente conservative: in contrast to the Dadaists, Sernercontinua to be convinced that a good critic should esseresostenuta by a rational understanding of things and that qualsiasiricerca respectable intellectual 5.

1 L. ARAGON, in Dada, Paris-Berlin , exhibition catalog of the exhibition, Paris, Centre Georges Pompidou, 1978, reprint Paris Gallimard 1992, p. 132

2 L. Valerian, Zurich Dada, Ball and Cabaret Voltaire . Nadar: research on contemporary art. Turin, Martha, 1970. p. 45

3 C. SCHAD, Christian Schad in , exhibition catalog edited by Bettina Schad, Milan, Galleria Schwarz, 1970. p. 1

4 Ibid

5 TO HOCKENSMITH in Dada, exhibition catalog, Paris, Centre Georges Pompidou, 2005. p. 864

Blue Prints For Suppressors

Tragos hates

the antipodes of this Aristotelian theory of tragedy is that of Nietzsche. In fact, despite being outside the world of Greek tragedy, Nietzsche gives the opinion that perhaps comes closest to the truth and at the same time reverses all previous theories about art and how to make art greek. If, in fact, the verdict traditional Greek art is based on the idea of serenity, balance and size of the forms, then art is cathartic, purifying, to the contrary, Nietzsche is the result of living together and sharing the spirit of the Apollonian and Dionysian spirit. Apollo is the god "shining" is the prophetic impulse toward being perfect in itself, is what presides over the plastic arts. The spirit of Dionysus, on the contrary, avoidance, alienation, impulse, rebellion and disorder. Art is born of the antagonism and harmony of these two forces: the tragedy here is its essence, in fact, the Apollonian spirit and plasma provides a form to the Dionysian. Only in this way, the tragedy, despite losing all its cathartic function makes life worth living man. The same philosopher in favor of this says: "Art alone has the power to bend these ideas full of disgust, horror and the absurdity of existence to the representations that make life tolerable."

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4 questions Orson Welles (Ricotta)

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Compilation # 3 Manuel

Italian music sucks . After De Andrè no one is taking up our honor. Nowadays, in Italy there is only X Factor and friends.
Who says this has probably never looked at the bottom, simply take information from RDS or MTV. Do not know the side beauty of our music. So go! Begins the third compilation now wants to deny these rumors!

1) Dropkick Murphys-You can tell everybody


2) Worm-The simplicity of the mountain


3) Nobraino-Herdsman


4) Lalli-Among the dunes here


5) Julie's Haircut-Sleepwalker

I Forgot The Combo To My Brinks Casehard Lock

Flores ¡VIVE

A día como hoy, en el año de 1960, Nacional Allá por el valle de Syria, Manuel Flores. Estar el cumple friend, companion, comrade, accomplice in this fight postponed to refound the country, 51 years. Those who knew and shared with Manuel, fighting, street and libertarian and revolutionary dreams, from the teachers' organization or from the trenches of their political dreams, today we remember the principles, ideals and today more than ever condemn the cowardly assassination.

Friends, colleagues

there never be forgotten, the martyrs, as compared to Manuel Flores, left pointed a way to go. May his spirit and ideal of freedom, are light in elcamino delas new generations.

Manuel Flores LIVE! in mind, in the heart of teaching, dignified, conscious delmagisterio.

Compa manuel, our gratitude, Our, ro perennial hug, and always here your place in the trenches of our struggle.

Wemen Wetting Themselfs

gauguin + + Schiele Pan Yuliang

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WELCOME BACK

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What Are The 5 Types Of Transformations

ACQUARIUS StoryTeller TOUR SIXTEENTH BUS STOP: LONDON, GREEK.