Schad - Dada
Not sipuò Dada capire senza capire tension e spirituale nella qualenacque crebbe.
" The artde the time of the Treaty of Versailles ilustre ell'apparence chaos of madness, it does not follow the will of one little groupe, il est le produit d'une société en plein désarroioù et des forces hostiles irréconciliables s'affrontent " 1 .
Dada and 'advanced' historical contradictions dellapropria toughest times, "not content to bypass the problem edimenticare contradictions by accepting uninquadramento systematically guaranteed by tradition, but fecerodella substance revocation of their own starting point " 2 . Constant Bit reference on which to conduct its análisis values \u200b\u200bof bourgeois culture: the ideals of ragionepositivistica of progress and modernism that portanoall'alienazione, all'inautenticità, and war.
ChristianSchad soon learn to "despise the Academy" 3 , the art of the bourgeoisie, and chooses, like many other young artistiuniti hatred toward a social order which the war stessaha witnessed the failure, the rejection and contempt for things lost in quotas. Choose the flight into neutral territory.
" Durantel'estate 1915, I left by train to Monaco raggiungereZurigo, from cataclysm black-white-red oasis Dipace. I would not have been slow to finish, like millions of others, lungodisteso in a uniform, hot mud, or even, perhaps, under a cross birch. I had gone from gear dellaguerra the Bahnhofstrasse in Zurich. The change was enormous. Dauna part, beyond the frontier that had just passed, all willy-nilly, were caught in a huge gear edibrido who urged them to dig, kill, starve the other, here, we lived happily. Thought and poetry, grandevanto the Germans, had turned in under the disciplinaprussiana motto, 'God, Emperor and Fatherland'. The ufficialerappresentava the ideal of bourgeois values \u200b\u200bwhich the war was most every confirmation. The life force was replaced dallasottomissione, the best quality were deformed. [...] Trovostupido that a man agrees to do the puppet and another to hate and kill possacomandargli " 4 .
AZurigo, Schad comes into contact with members of Dada in piccolasala Cabaret Voltaire, Hugo Ball and Emmy opened by Hennings, Hans Richter and Richard Huelsenbeck itedeschi, Romanians Tristan Tzara, Janco eMarcel Alsace Hans Arp had organized delleserate cabaret soon degenerated into provocations sistematichecontro the bourgeois order.
Tuttaviastabilisce a stronger relationship with the writer Walter Sernered just throw together, back in 1915, the magazine Sirius of cuiSchad regularly introduced each number with drawings and engravings sulegno. On the philosophical level, the magazine Sirius objected Adada. In fact, the point of view Serner, expressed chiaramentein this publication, is deeply pessimistic but ancherelativamente conservative: in contrast to the Dadaists, Sernercontinua to be convinced that a good critic should esseresostenuta by a rational understanding of things and that qualsiasiricerca respectable intellectual 5.
1 L. ARAGON, in Dada, Paris-Berlin , exhibition catalog of the exhibition, Paris, Centre Georges Pompidou, 1978, reprint Paris Gallimard 1992, p. 132
2 L. Valerian, Zurich Dada, Ball and Cabaret Voltaire . Nadar: research on contemporary art. Turin, Martha, 1970. p. 45
3 C. SCHAD, Christian Schad in , exhibition catalog edited by Bettina Schad, Milan, Galleria Schwarz, 1970. p. 1
4 Ibid
5 TO HOCKENSMITH in Dada, exhibition catalog, Paris, Centre Georges Pompidou, 2005. p. 864
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